Archives for : April2020

evolution of the renault scenic

Evolution of the Renault Scenic

The Renault Scénic, which was the European car industry’s first compact MPV, is celebrating its 20th anniversary in 2016. We take a quick look at some of the concepts and design iterations of the Scénic.

 




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design museum talk is beauty the engine of design

Design Museum Talk: Is Beauty the Engine of Design?

Aston Martin Chief Creative Officer Marek Reichman and Design Museum Director Deyan Sudjic, join in a talk presented by creative editor and writer Hermione Crawford, about how design evolves, beauty versus utility and the very future of cars to be held on 20th April in London.
How does Aston Martin create an iconic car? What is beauty, and is a mechanical structure like an automobile beautiful? What is the future relevance of an independent luxury sports car brand, and how will it evolve? These and many other questions will be discussed at this exclusive and unique event. – See more at: http://designmuseum.org/is-beauty-the-engine-of-design#sthash.VyTUlMkt.dpuf

Find out more/book tickets




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design museum london apply for designers in residence 2016

Design Museum London: Apply for Designers in Residence 2016

Now in its 9th year, the annual residency programme promotes new and emerging design talent. It’s open to all designers who have graduated from Higher Education within the last five years (in the academic year 2011/12 or more recently) and who have been working professionally (either paid or voluntarily) in some form of design or architecture practice for a minimum of one year.

This year the Design Museum opens the doors to its new home in Kensington. The Designers in Residence of 2016 will join the museum on this journey. Through a focused and rigorous proposal, the museum asks for designers to submit creative responses to this year’s theme OPEN.

Design is no longer exclusive but a process in which many voices can participate. The spirit of open design offers new and exciting ways to shape and experience the world around us. Design has become more inclusive. Tools that were once the preserve of professionals are now available to amateurs. Through hacking, co-creation, downloadable designs, and sharing of knowledge, more people than ever can take on the role of the designer.

[ Find out more & apply ]




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cycle porn at the design museum

Cycle Porn at the Design Museum

Until the 30th June 2016, the Design Museum London is hosting it’s Cycle Revolution exhibition.

“As an assembly of bicycle porn the Design Museum’s new Cycle Revolution is absolutely filthy. ” The Times

 

 

Highlights of the bikes on display include:

  • Sir Bradley Wiggins’s 2015 Hour Record bike and 2014 World Championship Time Trial bike
  • A number of Team Sky’s Pinarellos from the 2015 Tour de France, as well as kit and equipment from the team’s 2015 Tour de France win
  • Sir Chris Hoy’s Great Britain Cycling Team London 2012 Olympic Track bike
  • The Lotus Type 108 ridden by Chris Boardman at the 1992 Barcelona Olympic Games
  • Eddy Merckx’s 1972 Hour Record bike
  • Francesco Moser’s 1984 Hour Record bike, loaned for the exhibition from the personal collection of Sir Bradley Wiggins
  • The earliest prototype Brompton in existence
  • A 1978 Breezer Series 1
  • A 1969 Raleigh Chopper.
  • Bike builder’s workshop – showing the tools, materials and skills that combine to create a bespoke machine. Six independent British bike builders are profiled – Donhou Bicycles, Toad Custom Cycles, Hartley Cycles, Robin Mather Cycles, Mercian Cycles and Shand Cycles.
  • High profile cyclists including Lord Norman Foster and Sir Paul Smith discuss their passion for cycling and hopes for its future in the closing film.

Full info on the Design Museum website.




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Volvo Monitoring & Concept Center: Tandem Vehicle

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Car Design Online > Design > Volvo’s Tandem

Volvo Monitoring & Concept Center: Tandem Vehicle



Volvo’s Monitoring & Concept Center (VMCC) in California have produced what they believe is a feasible future transport product based upon an inline occupant configuration. The designers at VMCC envisage a sleek two-seat commuter vehicle which uses very little energy and rarely gets caught in traffic.






"Maybe it sounds over-the-horizon, but consumer trend research together with our conceptual design and engineering work shows we could deliver that vehicle before 2010," says VMCC science officer Ichiro Sugioka. "Our competitors should be wary of the stuff we’re doing!"





The Tandem concept reflects the attitude the department have to vehicle design, looking forward to potential new ways to travel. Although much smaller and seemingly more delicate than traditional Volvos, the team at VMCC insist they can factor into the Tandem the level of passenger safety expected from the brand.



As Kolit Mendis, structures and safety engineering manager, explains: "We compensated the Tandem’s light weight with new occupant restraint concepts designed to handle frontal collisions with heavier vehicles. Also, the central positioning of Tandem occupants leaves ample room on either side to implement structural features mitigating the severity of side impacts. Our technical evidence is that Volvo would have no problem at all in delivering its traditional levels of driver and passenger safety."


Lars Erik Lundin, VMCC general manager, says that for Volvo, meeting the challenge of sustainable mobility is about looking at designs and hybrid technologies (electric drive, alternative fuels, petrol or diesel derivatives) that will provide ‘maximized total efficiency of mobility with minimised environmental impact’.

"Our job is exploring the future and doing something really extraordinary," says Lundin. "The Tandem was originally conceived as a vehicle to help solve the specific over-crowding and pollution problems of southern California, but we soon realized it taps into how people work, travel and think almost everywhere in the industrialised world nowadays."




Strategic design chief Doug Frasher believes that the future will involve car buyers changing their thinking from one-car-fits-all to a scenario "where people own different cars for different reasons, just as we have different clothes for different social events, suits for work, and jeans for play".

"We envisage a ‘family’ matrix of cars, starting with the commuting Tandem, that will spark a new paradigm in mobility, changing the way the world thinks about auto ownership in the same way the Sony Walkman did for the audio industry."


Volvo’s thinking thinking is the result of ‘ethnographic’ research begun in 1998 into past and current trends among various consumer and other audiences, using techniques such as workshops, focus groups and customer panels. "We created a timeline stretching from 1900 until 2010 with the aim of profiling future customers and the world they’d be inhabiting by understanding how trends emerge," said Benny Sommerfeld, business development manager. "The timeline pinpointed likely future values, needs, desires and aspirations."






The VMCC team believe that this type of design approach will become increasingly relevant in the future, with changes in the way people live and travel. Although very much a concept, the Tandem is not simply a design exercise. According to Geza Loczi, VMCC design director, the Tandem is "a real product still in its infancy that needs a lot of molding and tweaking to grow into a full-fledged finished product."












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Volvo Monitoring and Concept Center

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Car Design Online > Design > Volvo Monitoring & Concept Centre

Volvo Monitoring and Concept Center








The market for Volvo passenger cars in the US is and has for a long time been sizeable. Volvo do not underestimate the significance of this and, like many other manufacturers, they are very much geared towards understanding and predicting this considerable group of customers.

Tucked away in Southern California, not too far from Los Angeles, is the Volvo Monitoring and Concept Center (VMCC). The VMCC is home to a variety of designers, engineers and marketing people all responsible for understanding the demands of the car market in years to come.

"The goal of the VMCC since its establishment in 1986 has been to look for concepts in new places, put together smart ideas and turn them into action, helping Volvo Cars grow in today’s tough auto market," says Doug Frasher, strategic design chief at the VMCC. "We aim to distinguish ourselves by seeing the ‘big picture’ beyond design or style alone."

Volvo prides itself in bringing together people from three core backgrounds – business, design and technology – to form a team and facility that it believes sets it apart from other manufacturers. The centre’s rounded approach to vehicle design involves analysing technological, social, demographic, environmental, brand and design trends shaping society now and particularly in the future.


Timeline detailing events in wider society that the VMCC team believe to be significant. Events listed range from vehicle launches to new software releases and turning points in the internet. One of the Volvo team works on the VMCC’s Tandem concept.


"Our cross functional teams produce concepts that are more than styling, technological innovation or customer data," says Benny Sommerfeld, Concept Business Manager. "VMCC’s methodology embraces in-depth monitoring and reviewing of trends, evaluating ideas for potential new product concepts, validating concepts in virtual and physical environments, and reaching a ‘go-to-market’ position."

Geza Loczi, Director of Design at VMCC, says today ‘all design studios are striving to emulate’ what Volvo is doing. "The big difference," he says, "is that we were first as well as our ability, power and breadth of approach to do things in a non-traditional way. It’s about getting out of the comfort zone."

The team at VMCC are charged with monitoring a range of information in order to understand and predict future trends and how they will affect society in up to thirty years from now. Their findings are subsequently used to create ‘future-proof solutions that will stand the test of time’.

"Because we need to be both rational and emotional in our thinking, the strategic imperative of the twenty or so people working for VMCC is about being market-driven, not product-driven," says Loczi. The centre has been involved in many key Volvo projects including the XC90, S80, S60, the Environmental Concept Car and Safety Concept Car.

The initial concept stage at the VMCC differs from more traditional approaches in so much as ideas stem from analysis of a functional issue rather than from a new line of aesthetic development. In the case of interiors, the VMCC approach is to begin with direct consumer observations and develop from that a physical design which directly reflects current and future consumer desires, be it through colour, form, material or otherwise.

To support their work, the Volvo team use some of the latest design and prototype methods, with the VMCC being the only studio of its kind in California to use stereo lithography apparatus (SLA) for small scale models and component modelling. In 1987, Volvo became the first car maker to use Alias software and the staff of the VMCC now use it routinely to quickly bypass time-consuming clay modelling and to synchronise engineering work. VMCC is used by the wider Volvo company to test and develop new practices, techniques and software which may later become standard tools used to reduce vehicle lead times.


The VMCC has only 15-20 full time staff and ongoing exchange programmes ensure that employees network throughout the entire Volvo organisation. The team are constantly looking for ‘the next big thing’; the new product that consumers don’t realise they need but that will become a successful addition to the Volvo line-up.

As Loczi puts it: "It is about taking advantage of VMCC’s knowledge-base of multiple skills, cross-pollinating the different disciplines and capitalising on the findings to achieve a clear sight line into the future."










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callum mcgovern chat about design britishness

Callum & McGovern Chat About Design & Britishness



A fairly interesting, though brief, discussion between both design chiefs at Tata-owned Land Rover Jaguar.

Britishness is something that, aesthetically, should be restrained – it can never be vulgar. It’s reassuring, elegant and tasteful.”

Jaguar’s Director of Design Ian Callum provided this insight during a unique interview with his Land Rover counterpart, Chief Design Officer Gerry McGovern, about the importance of British creativity and design. The two were interviewed together for the first time at the Royal College of Art (RCA), where they both studied.

In this film, both designers share their views on the importance of Britishness, explaining how this philosophy influences the shape and form of every Jaguar and Land Rover, and how important this design direction is to them and their customers.

Gerry McGovern said: “I don’t think you deliberately sit there and try and design Britishness. I think it comes intuitively. The Royal College of Art is a platform for creativity, but you learn so much more when you come out that you have to become a multitude of different disciplines in order to get your designs through.” 




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cad rendering virtual photography with art vps

CAD Rendering: Virtual Photography with ART VPS

At the sharp end of automotive design, manufacturers are constantly seeking ways to improve the virtual visualisation of their products. CAD rendering allows designers to evaluate their work and assists in the decision-making processes of new vehicle development. In addition to the purely in-house benefits, virtual visualisation can be used to place a design in front of potential customers before production engineering and tooling take place.

Despite the benefits of the system, CAD rendering has often been unable to convey the reality of a design convincingly. ART VPS, based in Cambridge in the UK, have devised a highly successful solution with their ‘Virtual Photography’ process.

The beauty of the ART system is the way it becomes possible to not only convincingly render the CAD form but then to build it comprehensively into an extremely realistic scene.

With ART VPS’s hardware, it is possible to take a computer model and make it indistinguishable from a photograph. Changing the subject’s location or visual properties to create another ‘photograph’ can be done in about 20 minutes, far faster than traditional software solutions. Features such as real-world lighting, physically based materials, and unique camera effects make it possible to create powerful images. The high level of realism allows designers to make decisions on specifics of the aesthetic, more accurately than with previous rendering techniques.

Virtual Photography images are produced through ART VPS’s plug-in interface to major modelling and animation programmes such as Discreet’s 3ds max, Alias’s Maya, Autodesk’s VIZ and Dassault Systemes’s CATIA Photo Studio 2. The interface, called RenderPipe, provides access to ART VPS’s dedicated hardware rendering devices, which enable much higher rendering quality and speed than can be achieved with built-in software renderers.

The Virtual Photography Process, Step by Step

Step One – Data Import

First, the model is imported into or created in 3ds max, Maya, VIZ or CATIA. Often, the CAD model will already exist in a company’s design or styling departments.The image shows the mesh data in 3ds max with a standard blue material applied to it.Click on the images to enlarge.

Step Two – Apply Materials

The RenderPipe interface supports native 3ds max, Maya, VIZ and CATIA materials. ART VPS also provides a library of specially designed RenderPipe (RP) materials or shaders. There is also a specifically developed range of ‘RP-Automotive’ shaders specifically for use in the auto industry for unique functionality and photorealistic material behaviour. The materials are based on the RenderMan scripting language, which makes it possible to tailor them to individuals’ requirements.This image shows the RenderPipe material types in 3ds max’s material browser. These can then be loaded into the material editor. This allows users to create their own materials by simply changing the various settings and colour values. RP materials can also be mixed with standard 3ds max, Maya or VIZ materials, creating many possible variants.

The car uses both standard library materials and RP-Automotive materials such as RP Smoked Plastic and RP Matt Aluminium. The RP Metallic shader is an example of a custom shader, which accurately reproduces special aspects of car paint, including surface perturbation, coloured paint layer, and lacquer or coating layer.

 

Step Three – Apply Lighting

There are two approaches to lighting: standard and high-dynamic-range imaging (HDRI). Standard lighting techniques use computer graphics lights to replicate real-life light sources. RenderPipe complements the full range of light types found in most 3D packages.ART VPS also provides the option of adding an HDRI image to be used for lighting, reflections, shading and other effects. HDRI has revolutionized the external lighting process. In conjunction with ART VPS rendering hardware, it has made Virtual Photography a reality.

HDRI images contain high resolution contrast data, recorded photographically on location, which is used by ART VPS’s ray-tracing renderer to light the scene. The image also appears as the background environment. This means you are able to drop a computer model into a scene and it will be fully integrated into an apparent real-world environment.

Step Four – Apply Cameras and Render

RP cameras work just like the standard 3ds max, Maya, VIZ or CATIA cameras. In 3ds max, Maya and VIZ they have additional controls for motion blur, depth of field, and lens effects.The ART VPS RenderPipe renderer is integrated with the application. A user selects RenderPipe as the active renderer giving access to a selection of RenderPipe options, including chalk preview, image quality, ray depth, and a preview that shows the entire rendering in progress, rather than just the partial fill shown by many software renderers.

Step Five – The End Results

This scene was rendered in 12 minutes and 34 seconds at a resolution of 1828×1332 pixels.
Because of the way the system works, should it be necessary to make changes to the rendering, it only takes about 15 minutes to modify and re-render the image to incorporate, for example, silver paint work and chrome alloys.

 

This image illustrates the potential of the Virtual Photography system, allowing the CAD derived object to take on the light, shade and reflection properties of its surroundings.For more information about ART VPS, visit their website:www.artvps.com

Images courtesy & © ART VPS

Lexus model by M Pavos.




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bentley exp 10 speed 6 wins at german design awards

Bentley EXP 10 Speed 6 Wins at German Design Awards

  • Concept named overall winner in transportation category
  • Design award recognises ‘perfect combination of aesthetics and precision’
  • EXP 10 Speed 6 is a statement in modern British luxury and a potential future model line
  • Flying Spur and Continental GT Speed both receive special mentions

Bentley’s EXP 10 Speed 6 concept car has been awarded Gold in the Transportation category of the German Design Awards – one of the most highly respected design competitions in the world.

The German Design Council selects a panel of international design experts to judge the entries. They selected the EXP 10 Speed 6 for the Gold award as a result of its timeless, iconic Bentley design, clever use of new materials and aesthetic dynamism.

Panel judge, Johannes Barckmann, commented: “The designers of the EXP 10 Speed 6 achieved a fantastic reinterpretation of the British legend. This is particularly apparent when looking at the interior. The door panels are not covered with leather, but instead with high-quality wood.

“The exterior inspires with a progressive, elegant design vocabulary that transports the classic car into the future. EXP 10 Speed 6 is an extraordinarily beautiful automobile that perfectly combines aesthetics and precision – and is unmistakably a Bentley. It couldn’t be done better.”

The EXP 10 Speed 6 is a British interpretation of a high-performance two-seater sportscar. It showcases the future direction of luxury and performance using the finest materials and advanced hybrid technology – a powerful, exquisite and individual concept.

Sangyup Lee, Head of Exterior and Advanced Design at Bentley, added: “EXP 10 Speed 6 dominated the conversation at Geneva earlier this year, and is one of the most talked about concept cars of recent times. Our progressive and innovative design – while retaining a classic British look – is also thoroughly modern and dynamic.”

The Bentley Flying Spur and Continental GT Speed – both refreshed in 2015 with a complement of new interior features and exterior styling cues – also received special mentions from the German Design Awards judging panels.





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bentley 10 speed 6 gets gold at german design awards

Bentley 10 Speed 6 Gets Gold at German Design Awards

Leading members of the Bentley design team were at the German Design Awards in Frankfurt to collect Gold in the transportation category for Bentley’s EXP 10 Speed 6 concept car.

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The German Design Council selects a panel of international design experts to judge the entries, and the awards are among the most prestigious in their field. They selected the EXP 10 Speed 6 for the Gold award as a result of its timeless, iconic Bentley design, clever use of new materials and aesthetic dynamism.

Bentley’s Director of Design, Stefan Sielaff, was joined by SangYup Lee (Head of Exterior Design), Romulus Rost (Head of Interior Design and Colour and Trim) and Head of Modelling and Design Operations, Kevin Baker, at the award ceremony in Frankfurt.

Panel judge, Johannes Barckmann, commented: “The designers of the EXP 10 Speed 6 achieved a fantastic reinterpretation of the British legend. This is particularly apparent when looking at the interior. The door panels are not covered with leather, but instead with high-quality wood.”

 

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Stefan Sielaff, Bentley’s Director of Design, added: “EXP 10 Speed 6 is a thoroughly modern British interpretation of a high-performance two-seater sportscar. It showcases the future direction of luxury and performance using the finest materials and advanced hybrid technology – a powerful, exquisite and individual concept.”

The Bentley Flying Spur and Continental GT Speed – both refreshed in 2015 with a complement of new interior features and exterior styling cues – also received special mentions from the German Design Awards judging panels.




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